Monthly Archives: December 2011

Looking Forward to 2012: Movie Edition

New  Year

I unfortunately was so ridiculously busy this year that I didn’t see that many movies, listen to that much music or do much at all except work. However in the spirit of new beginnings I’m hoping this year will be quite different. In that spirit I’m going to list my top anticipated films of the new year.

Feel free to call me an idiot for my picks. Or just add in your own.

 

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The Trailer for “The Hobbit” Kind of Worries Me

Ever since I saw Orlando Bloom listed as “Legolas” on the IMDb page, I have been a bit worried, and seeing the now-released trailer further substantiated my growing concern: The very thing that made The Lord of the Rings films so great is being abandoned, and puts The Hobbit at risk of suckitude. Read the rest of this entry

Best Christmas Traditions

It’s less than a week until Christmas. Mere days. Yet we’ve not had a single Christmas discussion. In past years we’ve discussed the best Christmas animation, best Christmas presents, Christmas albums, horrible Christmas songs, Christmas movies, and a lot more. There’s almost nothing left to talk about. So what’s left? How about…

BEST CHRISTMAS TRADITIONS


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Quantum Revisited

Bond

As you all know the new Bond film, Skyfall, is in production at the moment. I loved the first Craig film – a reasonably faithful adaptation of Casino Royal. It had several of my favorite action set pieces in a Bond film. It took a franchise that had become stale decades earlier and made it compelling. Many compared it to the Bourne films which clearly were an influence. However what made Royal so great was what it did differently from Bourne. It was more a revisioning of the classic aspects of Connery’s Bond from the 60′s as well as many aspects of Ian Flemming’s own life and failings as a spy during and immediately after WWII.

The sequel was a grave disappointment to many people, myself included. I must confess that I liked it far better upon a second viewing in my home theatre system. (See the Kulturblog discussion here) The action was aping Bourne far more than before but was so frenetic that one couldn’t follow what was going on. The witty dialog of Royal was gone. There were many scenes which were best described as “cockamamie” — perhaps better suited for Roger Moore than Craig. (For example the overly flammable hotel in the desert)

I was worried that the franchise would experience a rapid fall off from a good start. Much as what happened with Peirce Brosnan’s Bond. Ironically also given a great start by the same director: Martin Campbell. A director who seems able to only do his best work with Bond as Green Lantern and most of his other films attest. (Although I have to confess I did like the first Zoro as a guilty pleasure)

An interview with Craig linked to on Twitter and a few other places has made me rethink Quantum of Solace though.

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The Artist

A caveat: I am francophile.  I acknowledge this conflict of interests here because I want to put it to one side in order to gush unashamedly about ‘The Artist’.

Perhaps the least surprising thing about Christmas this year is the success of ‘The Artist’.  It has already won the ‘New York Film Critics Circle Award’ for Best Film and is a good bet for a nod at this years Oscars.  In fact, after seeing it the other night, I will be surprised if it is not nominated in categories across the board.  It is, without doubt, wonderful. Read the rest of this entry

How Far Can You Suspend Disbelief

Gollum

Over the weekend I was reading John Scalzi’s blog. (He wrote Old Man’s War among many other excellent books) Scalzi is largely responding to that Wired article last week about how movies get falling into lava all wrong. (They always make the viscosity the same as water whereas lava is viscous enough that you wouldn’t sink in) One of the examples used was Gollum from the end of Lord of the Rings. Scalzi thinks this is silly, saying:

In a film with spiders of physically impossible size, talking trees, ugly warriors birthed out of mud and a disembodied malevolence causing a ring to corrupt the mind of anyone who wears it (and also turn them invisible), we’re going to complain that the lava is not viscous enough?

Now I know a lot of people are in Scalzi’s camp on this. I disagree though.

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Once Upon a Time

I just discovered this show. Is anyone else watching it?

My daughter got me hooked. I’ve only seen the most recent episode and the second episode so far (I’m waiting to watch more with my husband), but there’s something about it that’s really compelling.

At least for me–and it might be a bit girly for some of you, I’m not sure.

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The Christmas Movies

Breaking Dawn

Well we are now in Christmas movie season. No I don’t mean those horrible cheap “feel good” seasonal movies all over Lifetime, ABC Family or the like that hearken back to the golden days of the 70′s. Rather I mean the big blockbusters targeting everyone. We’re already well into the season with the latest Twilight film being #1 for something like three weeks running. There’s Muppet fever and even Martin Scorsese is in the act.

What have you seen? What did you hate? What are you most looking forward to? After a fairly disappointing summer will the winter films do better?

 

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How are you watching your movies?

If you’re not watching movies in the cinema, you’re not watching them the way the filmmaker intended.  Or at least that’s what Ridley Scott says:

In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture. Music and dialogue that doesn’t fully reproduce the soundtrack of the original loses an essential element for its appreciation. Simply put, the film loses its power.

This is an interesting perspective, and increasingly Western audiences are able to replicate, or at least approach, movie theater quality picture and sound at home.  At least, that’s the potential.  But how do we really watch our movies? Read the rest of this entry

The best thing on TV is Danish

Denmark’s Forbrydelsen, “The Crime” but called “The Killing” in English, is fast achieving the almost universal acclaim of The Wire — every TV pundit in the UK seems to love it. It can never be The Wire, of course, but if you like proper grown-up crime drama, cast your eyes across the Kattegat and watch The Killing.

AMC’s version wasn’t that bad until they utterly ruined the series with a stupid, craven ending. Forbrydelsen I ended properly and season 2, now showing on the BBC, starts an entirely new story. Sarah Lund — whose Faroe Island sweaters have now kicked off an unlikely fashion craze — is boot-deep in an investigation involving the Danish army, political conspiracy, and a series of nasty murders. With Sweden’s Wallander also serving up a morbid portion of Scandinavian dysfunction and Sherlock ready to return to the BBC, European crime drama is very good right now. Read the rest of this entry

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