Monthly Archives: July 2010
SYTYCD
http://www.hulu.com/embed/qoypbBwBAThs7ZQN5Is1iA
I just watched the top 6 (see above, yes I’m still a week behind) and I’m wondering if my favorite two dances were my favorites because they both had Twitch in them or because they had Lauren and Kent in them. Those two are still at the top for me at this point, but special mention has to be given to Adechike for his lyrical hip-hop routine with Comfort. It was another Nappy-Tabs masterpiece which was very reminiscent of Bleeding Love with Chelsea and Mark a couple of years ago. The only reason that I don’t think it puts Adechike in the top tier is that all the best moves and most of the emotion in the piece came from Comfort(!) She was shockingly awesome. I have to say that I really thought Robert had a great night too, but I just like Kent and Lauren a little better.
Old Friends
Susan’s post on the 70s got me thinking about old music and the songs I used to listen to back then and I ran across old Billy Joel videos that reminded me of his album “Songs In The Attic,” which is a really great album, even if you don’t like Billy Joel much. I used to listen to that album constantly in the 80s, but the songs were mostly from the 70s. The album’s concept was essentially that it was these songs that Joel loved most, especially when he was playing live, and he kept going back to them, like old friends, so he recorded them live to reintroduce them to his audience.
I think we all have songs or albums or bands like that. They’re old, but we keep going back to them and getting them out every few years and reintroducing them to ourselves and our friends and our family, because knowing them is a way of knowing us. What are your old friends?
Here’s one of mine:
Symphonic Rock, a sampling
by FHL
(Bear with me, first post. I will grudgingly accept post criticisms.)
This is a musical genre I’ve really enjoyed for the last 5 years or so. Wikipedia describes it as heavy metal with symphonic elements. I prefer the ones with female vocalists with a classical sound, near operatic sometimes.
It started with a haunting ballad from the soundtrack of Daredevil (of all places) and I just fell in love with Amy Lee’s voice. Then a driving duet on the same album, a combination of heaven and hell, with pounding guitars, angry rap-like lyrics, and Amy’s angelic sound wrapping it up. I was hooked. Since then, I’ve sought out more like it. I find that I’m drawn to the sheer energy of the music as well as the smooth vocals. I tend to steer clear of the growly, “Cookie Monster” vocals, although I’ll make exceptions. Here are some of the bands that have captured my fancy. Read the rest of this entry
Rewind: Eclipse
Yet an other entry in my occasional series where I demonstrate how out of touch with modern culture I am by reviewing something that was all the rage long ago but which I’m just getting to. This week I show I am catching up with current events by reviewing a movie that still has posters up at Burger King! Yes, it’s the latest installment in the ever popular (and apparently one of the most profitable) series: Twilight. You may recall I reviewed, only a couple of months ago, the last installment in the series: New Moon. Eclipse is definitely a step up from that film. On some levels.
The biggest problem with book adaptations is that there is so much in the book it is amazingly difficult to make it flow. Instead you get very choppy films that don’t feel organic. This was a huge issue with the previous two installments of Twilight. I must commend the director and producers in that they really solved that this time. Eclipse flows so it actually feels like a real movie. This from a director who doesn’t have a whole lot of experience. Primarily music videos and then the 2007 modest hit 30 Days of Night, a horror movie about vampires in Alaska. (Where one must admit it makes a lot of sense to live during the winter) Some of that background worked pretty well here. The horror aspect of vampires had been lacking in the previous films. While I can’t say they established a sense of dread, at least there was a sense of threat to the main character.
SYTYCD
I think we’re a little behind on this, but I just watched the top 7 and had to say that Lauren is definitely my favorite now and Kent is a close second. I wish they would just leave those two together because no one else comes close.
There were some great dances in that show, including Robert and Allison’s dance to “Fix You” by Travis Wall, which was about Travis’s mother:
But my favorite was the Mandy Moore dance to “Boogie Shoes” by Billy and Lauren. I can’t find any video of it, but the episode is on hulu and trust me, it’s cute overload.
Tap Studio Pro – Free Today
I found an interesting iPhone/iPod Touch game that is free today. Tap Studio Pro lets you create guitar hero/tap tap revolution style tap tracks (my term, not theirs) for the songs that are already on your device. You can then play the game with those tracks or search their online database for tracks that other people have uploaded for songs that you already have. Seems like a great idea: you get to use the music that you already like and if people make enough tracks there is the potential to have a lot of replay value. The server just stores the tap tracks, not the songs themselves, so there isn’t any copyright infringement going on. I assume that a tap track that someone created while listening to a particular song isn’t an infringing use.
I tried it out today and found it entertaining. The primary limitation was my own lack of ability to create a compelling track the first time through. I haven’t tried the online features yet, but thought I’d post this while the game is free.
Kings Of Leon – Live
I debated whether to go to this show, because I already saw the Kings in L.A., and they have not put out any new material since that tour. In the end, my love of the Kings got the best of me and I went to the Usana Amphitheater to see what the boys would play. Bottom line: I’m very glad I did.
Tour Ethics: Should You Kick Your Rival When He’s Down? *UPDATE: Contador Apologizes
Bike racing is not like other sports, and the Tour de France is not like other bike races. In the Tour, there is a long-standing tradition that says you do not attack when your rival goes down, whether he goes down as a result of a crash or a mechanical difficulty. This tradition exists because it is considered poor form to win because of the temporary difficulty of your opponent. The race should be won based on strength and skill and strategy (and other tres importante words beginning with S). This tradition goes double when the rival in question wears the fabled Maillot Jeaune. Thus, the peloton waited for Lance Armstrong when he crashed in previous years and Armstrong himself waited for opponents when they crashed. And Armstrong is not really known to be an especially nice guy.
That’s what makes today’s events so difficult to understand.
http://www.vsimgcdn.com/swf/flvPlayer_4.2.3.swf?rev=206
Contador was booed as they put the yellow jersey on him at the end of the ride. And this in an area of France that is near to Spain, his home country. You have to work hard to generate that much bad blood.
Contador says he didn’t know Schleck’s chain was off. Schleck says, “my stomach is filled with anger.” One thing’s for sure: the next few days should be very interesting.
*Update: Contador apologized to Schleck and the two shook hands. It’s nice to see this kind of classy move from Contador, who appeared to not only take advantage of Schleck’s misfortune, but also appeared to be lying about it when he said he didn’t know Schleck was having a difficulty. I’m glad Contador acknowledged the mistake and that there will be no continuing bad feelings between these two great riders.
Here is Contador’s video apology:
It’s a classy move, as I said, but it leaves some lingering issues:
First, Contador claims credit for stopping the peloton when Andy crashed on the stage to Spa. Most people think that credit belongs to Fabian Cancellara (holder of the yellow jersey at the time) and Saxo Bank, though it’s obvious that the decision could not have been made without the full cooperation of Contador.
Second (and this is the biggest problem) he throws some blame Schleck’s way for not waiting for him when the field was split on the later stage after the cobblestones. The problem there is that no one, even Contador himself, suggested that Schleck should have waited at that time. Further, there is an enormous difference between the two incidents: Contador hadn’t crashed and had no mechanical difficulty, he was merely caught behind the crash of other riders. The case could easily be made that this was his own fault for not being up front with his team where he should have been. Also (and this is the critical difference), Schleck didn’t attack at that time, the way Contador attacked in the Pyrenees. That makes all the difference in the world, and makes Contador’s apology seem like not so much an apology as a massive rationalization built on half-truths.
Despite that, he did say he was sorry, and I’m glad for that.
Inception
A Dream Within A Dream
Take this kiss upon the brow!
And, in parting from you now,
This much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
-Edgar Allan Poe

